A Nobel Prize-winning playwright's classic tale of tragic decisions in a traditional African culture. Based on events that took place in Oyo, an ancient Yoruba city of Nigeria, in 1946, Wole Soyinka's powerful play concerns the intertwined lives of Elesin Oba, the king's chief horseman; his son, Olunde, now studying medicine in England; and Simon Pilkings, the colonial distric...(展开全部)

沃尔・索因卡，尼日利亚诗人、小说家、剧作家，一九三四年出生于约鲁巴族聚居的阿贝奥库塔。 一九五七年取得英国利兹大学英文学士学位，毕业后于英国皇家宫廷剧院任剧本编审，一九六○三月回国，尼日利亚于同年十月脱离英国独立。他先后创立“一九六○假面”剧团和“欧瑞森剧团”，制作并演出自己的剧作，其后陆续受邀至剑桥、耶鲁等大学讲学。一九六六年，尼日利亚内战爆发，索因卡于一九六七年遭军政府逮捕，入狱一年十个月。被捕之前，他是尼日利亚伊巴丹大学戏剧学院的院长。一九七三年获利兹大学荣誉博士学位。一九八六年获诺贝尔文学奖，成为第一位获此殊荣的非洲作家。 蔡宜刚，台湾中原大学电机系毕业，台湾清华大学社会学研究所毕业。译有《行动有者的归来》及《非凡小人物》。

"Backgrounds and Sources" helps readers understand Death and the King's Horseman's traditional African contexts and the role of theater in African culture. Included are a map of Yoruba-land, discussions of Yoruban religious beliefs and cultural traditions, Soyinka on the various forms that theater has taken in African culture in order to survive, and Anthony Appiah on Soyinka's...(展开全部)

The play begins with Max and Charlotte, a couple whose marriage seems about to rupture. But nothing one sees on a stage is the real thing, and some things are less real than others. Charlotte is an actress who has been appearing in a play about marriage by her husband, Henry. Max, her leading man, is also married to an actress, Annie. Both marriages are at the point of rupture ...(展开全部)

Yes, Minister, and the equally successful sequel Yes, Prime Minister captured a niche in the political consciousness of the nation. First broadcast thirty years ago, the original writers of these classic series have reunited to create a bang up to date Yes, Prime Minister for the stage. Spin, blackberries, sexed-up dossiers, sleaze, global warming and a country on the brink of ...(展开全部)

欧内斯特·范·登·哈格，博士，福德汉姆大学的约翰·M·奥林法学与公共政策研究中心教授(1983年写作本书时)，遗产基金会方面的著名学者。曾任教于纽约大学、纽约法学院、瓦瑟学院和新社会调查学院等。著有The Jewish Mystique Punishing Criminals他还参撰了40多部著作的部分章节，写了无数的文章，散见于《纽约时报》、《哈伯杂志》(Harper’s)、《大西洋月刊》、《财富》和《国家评论》等，以及许多法律杂志和学术类出版物。

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。